"In my pocket is a jar and in that jar, preserved in my tears, is my son's heart."
"HAHAHAHA!"
That was my actual reaction upon hearing that line in Guy Maddin's The Saddest Song in the World. The film was hilarious and he really has a style that can only be described as a collaboration between Fritz Lang and Sergei Eisenstein when they're both on acid. Maddin's style is one of the few truly unique styles of filmmaking that I've seen and although his storytelling has fallen flat in some past films I've seen it's right on the money this time around.
The story is basically about a contest being held to find the saddest song in the world. The drama occurs when two brothers enter only to find that one brother is married to the other's ex-wife. Because they hadn't seen each other due to a falling out this comes as a big surprise and stuff happens. Yeah... anyway, the film is completely off the wall and weird which is awesome. I laughed out loud countless times and was grinning when I wasn't laughing.
Dracula: Pages From a Virgin's Diary was prettier to look at and just a more beautiful film overall while Heart of the World is simply a masterpiece. The Saddest Song In the World was great entertainment and judging from the crowd reaction I think most other people agreed. That is except a little ten year old kid who got dragged to the film by his dad. He gave the film a one out of five and called it "dumb."
Before the film, I arrived about an hour and forty five minutes early to wait in line. I was the sixth person in line. Unfortunately, the pass holders get to go in before ticket holders so all the pass holders, most of whom arrived about fifteen minutes before show time, got to go in first. I counted at least eighty of them. So weak.
Anyway, I still got a good seat but was annoyed nonetheless.
Tomorrow I'm going to a midnight screening of Azumi and on Sunday I'm seeing The Five Obstructions.
My DVD of Old Boy should be arriving soon. I can't wait to see it. Roger Ebert wrote about it after seeing it at the Cannes film festival and criticized how violent it was. Roger Ebert is a douchebag. Apparently it's getting mixed reviews while Hong Sang Soo's Women is the Future of Man is just getting bad ones. What's up with that?
Ah yes, I also read somewhere that Korean cinema has been dubbed the "cinema of cruelty." Cool, I guess...
Sidenote: The opening film for the Seattle International Film Festival was an adaptation of a Nicolas Sparks book... It's called The Notebook and it's actually getting good reviews... at least what I've seen so far. That's so weird and so disgusting. The only way it could get worse is if Thomas Kinkade was somehow involved... Regardless, I am a bit intrigued.
That's all for now, bye.