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February 27, 2006

Unconventional conventional mynameisben.com entry

Last Friday, by sheer coincidence, my grandma was admitted to the hospital on the same day that I went into the hospital to have some dizziness that I've been dealing with checked out. I had initially self diagnosed it as Benign Positional Vertigo, which is supposed to go away on its own, but that was over three weeks ago so I figured it would be a good idea to get it checked out. After a series of ridiculous but entertaining tests, I was told my problem wasn't neurological and was referred to an inner ear specialist. I'm typically not one to feel sorry for myself but I was annoyed, I had been dealing with this for over three weeks now and it had caused naseua and had generally put me in a foul mood.

My grandma would suffer a stroke later that night and go to the hospital, unable to speak, unable to move the right side of her body, and bruised from the fall. I found out about it the next morning. Thankfully, she didn't break any bones when she fell and I'm told she's making good progress. She's alert, smiling, and still has feeling in her right side even though she can't move it. Obviously, I've set my own issues aside.

I went on with the rest of my weekend trying to keep myself occupied in order to avoid the sense of helplessness that I was experiencing for the first time as a result of being across the country when a loved one is suffering. It didn't help that I knew I wouldn't be able to do much even if I was back home in Washington. I periodically called home to get updates on her condition and watched some movies and immersed myself in HTML and CSS when I wasn't hanging out with Lee (whom I'd like to thank for being around so much this weekend).

I had suddenly become aware that the human body is so susceptible to falling apart in so many ways, whether it be dislodged crystals bouncing around in your inner ear and throwing off your balance or the bloodflow to your brain suddenly stopping. It didn't help that I had also discovered a newfound sense of hopelessness. It was in spite of all this that I went to classes today, more notably: my horror film class.

(here comes the conventional part of the entry)

In class we watched the much hyped at the time but now much maligned Blair Witch Project. Although I didn't see it in theaters when it initially came out, I saw it on video soon after and actually enjoyed it and found some moments to be genuinely terrifying. My latest viewing was more of the same and to my surprise it seemed to have worked on the rest of the class as well since the occasion was marked by silence throughout the duration of the doomed expedition.

What made the film so succesful, in my opinion, was that in a medium that appeals to the senses of sight and sound the film deprives you of them. What does that leave you with then? Shakey camerwork and sound design that's only as discernable as it needs to be to freak you out.

In a typical film you either see something or you don't, with this film the camerawork is so chaotic and inept, even when it's not shakey, that you can't really focus on anything. Especially in the most intense scenes, there's light flashing at you from the screen but it's almost abstract with little bits of pieces of the world that you can pick out. You're seeing things but you're not really seeing anything. The sense of security you would get from being able to see your surroundings is subverted first by the oppresive darkness that one finds in the middle of the woods at night and also by the broken promises of the camera that is there to show you what you want to see but doesn't really show you anything.

Sure, being in the woods at night is creepy but when the characters really start to lose it is when they start hearing things outside of their tent. The sound design for these parts is purposefully frustrating. The moment you begin to hear something faintly, one of the characters screams "HOLY SHIT WHAT WAS THAT" and the sound is gone. Everytime you start to hear something one of the characters screams something or some other noise covers it up. The characters aren't going to shake the mics around to prevent us from hearing so instead they just scream at the top of their lungs. It's annoying but it really does the trick.

Ultimately, the film is a bit unsatisfying but it's good for a few scares. The stylistic choices that I mentioned are effective but can also grow a bit tiresome. In my case it also caused a little motion sickness. But, in the context of my recent life outside of the film world, it was a welcome escape and yet another humbling reminder of the bodily functions that I take for granted.

Two films I've recently seen:

A nice 35mm print of Night of the Living Dead at a midnight screening. It's a great film but the projectionist turned on the lights during the end credit photo montage that gives the film its power. Hardly anyone in the audience seemed to care though, the story was over and that's all that matters in a film right?

George Clooney's Confessions of a Dangerous Mind which was a really interesting film that I'd like to write more about later. For now I'll just say that I highly recommend it.

February 25, 2006

Wendiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigo

Errol Morris' Gates of Heaven - Wonderful
Larry Fessenden's Wendigo - Freaky as hell, surprisingly intelligent, and a bit of a let down at the end.

February 22, 2006

Joga Bonito


It's so true...

In other news: If you're a soccer fan this video featuring Eric Cantona should get you hella excited.

Speaking of videos, the videos section is now up and the rest of the site has also undergone some renovation in the past couple days.

Watch this space.

February 20, 2006

Crash

About twenty minutes ago, I watched a film that I went in expecting to hate, started liking part way through, then ended up disliking at the end because I wanted to like it but couldn't. The film was Paul Haggis' "Crash."

Having written "Million Dollar Baby," Haggis was already on my shit list for being a writer who likes to tackle controversial subjects but doesn't do it very intelligently or with much subtlety. "Crash" unfortunately did little to get him off the list. As much as I commend him for dealing with an issue that's very real and important he does it in a manner that's so by the books that it infuriates me even while I can't help but feel compelled by the events unfolding on the screen.

The film is emotionally manipulative in the way a sports movie is, it takes or creates situations in which you can't help but be excited, regardless of how horrible everything in the film leading up to that moment is. I hate sports movies and I almost hate "Crash."

While the acting is very good, the characters aren't very fully fleshed out (although if one thought the film worked one could easily defend this choice, but I wasn't a very big fan so I'll attack it). Instead, they're archetypes (stereotypes) run through a rube goldberg machine that spits them all out in a nice convenient pile at the end where they all realize they're all a little bit racist. Yeah, it was necessary for what he was trying to do but what he was trying to do isn't very necessary. It was an obvious and contrived film that needed to be made but not this way.

Videoblogging

So I've been experiencing some videoblogging overload recently since I'm working on that website that I will write more about in the future. Let's just say I've seen a LOT of videoblogging the past couple days. This has inspired me to put back up all my videos from freshmen year up to the present from my primitive, on again off again, unfocused, self consciously pretentious, pseudo-videoblog that was mynameisben.com in its early formative years. I have them all uploaded to my server, it's just going to take awhile to create the page that I'll put them on.

In other news: I just watched Errol Morris' The Thin Blue Line and thought it was pretty amazing. That whole circle of filmmakers that include Morris, Werner Herzog, Les Blanks, etc. are like the rag tag group of baseball players that you look at and think wtf but they kick your ass with their awesomeness.

February 18, 2006

Update on Life

I haven't updated because I've been pretty busy lately.

I took the DGA exam on February 11th and am pretty sure I did well enough to get to the next stage. I'm not just being arrogant, it was just that easy.

I'm still working at American Express and I'm now also working with the creator of Rocketboom on a website. It looks like it's going to be ready to launch soon, I'll write more about it when it eventually does.

In addition to those two jobs, I have two websites of my own in development. One about movies, the other about food. They're both slightly top secret so I'll just leave it at that for now.

When I was snowed in last Sunday I finished editing the rough cut of my color sync film. Things are finally rolling on the damn thing and some friends are now working on the score. I'm not entirely happy with the film but reactions to the rough cut from people who had never seen any of the film seems to be good. There's a lot in the film that I'm proud of and a lot that I find embarrassing, oh well.

Hmmm... what else...

Movies I've recently seen that come immediately to mind:
The Brood - Liked it.
Garden State - It has its moments but it's mostly ugh.


In other film related news:
Footage of Werner Herzog being shot in the stomach by a BB gun of some sort during an interview. His reaction to being shot is classic and if you skip to the end he shows off his wound and in the process shows off his rather colorful boxers as well. Oh Werner, you never cease to delight me.